This is the second and third watercolor painting which my dad produced in 2011 just before his death in 2012. These are actually two different watercolor paintings both titled “Fantasy Falls” but unoriginally he titled them “Fantasy Falls 1” and “Fantasy Falls 2”.
This is the first of two paintings he gave this name “Memorizing the Moment”. This name defined the idea behind his artwork which you can read about in this artwork’s description by my Dad, Barry Sweeny, the artist of this work.
This painting is an exemple of what my mission as a painter is all about.
There are sometimes very special moments in our lives when we experience such a profound ‘high’, such a special insight, or such a wonder-full feeling in nature, that we don’t want to leave. We don’t want to forget that moment. We want to take that ethereal, almost intangible experience with us and hold onto it.
My art work is dedicated to capturing just such moments and allowing us to dwell in them and enjoy them more often and more fully, whenever we look at the painting.
This is such an attempt, and its title, “Memorizing the Moment” says it all. Perhaps she is about to leave this place but has had a great time while here. She’s quietly sitting on the ancient rocks, listening to the breeze in the trees, watching the water lap the shore, maybe watching for a little sea creature to appear in the tidal pools. She’s “drinking it all in” so she can re-experience it again later when she needs to still her heart and mind.
This is painted in transparent watercolors on 22″ by 30″ Arches 100% cotton rag paper. The only exception is the use of opaque w/c in the lighter branches of the pines which needed to come forward more into the sun light.
It is an expression of the many rocky shores on which I have sat, memorizing the moment-Lake Superior, Maine, California, Washington, and Oregon to name a few.
This is a double award winning water color, sized 22″ by 30″ which was painted on Arches 140# cold pressed, 100% cotton rag paper.
It was painted in the studio and was based on photographs I took while walking along beautiful Oak Creek near Sedona Arizona. It’s a place I would gladly revisit every year.
At the moment of the best photo, the sun refractions made by the ripples on the water of the creek were not visible on the surface. But, they clearly showed through the crystal water and could be seen dancing on the submerged rocks below. It was as if there was no surface to the water at all!
It was only just to the right of that scene, where the water splashed over a small rapids, that the surface had visible reflections and foam. It was really a magical moment to see this and it was a significant challenge to try to capture that magical, momentary feeling.
The painting is my humble attempt to capture that amazing, etherial moment of the “sundance”.
In 2007 the DuPage Art League, Wheaton, Illinois, juried this painting into it’s exhibit, “A Place in the Sun”, and the painting was given an “Award of Special Merit”.
In 2009 this work was juried into the Red River Valley International Juried Exhibition, held at the Red River Valley Museum in Vernon, Texas, May 1 through June 19th. It was awarded the IESI Award.
A warm, relaxing day at the beach. Warm water. Warm breezes. Peaceful moments.
While my wife floats on her inflated ring, bobbing on the gentle waves, I am chilled a bit and head into the beach to sit and warm up in the sun.
As I relax there, I am wondering if I can find anything worth painting. If I don’t find something to paint, it’s going to be a long, tiresome day. I am not the beach person my wife is.
While I am considering what to paint, a chill is felt, the wind picks up some, and the sky out over the water starts to turn darker. “Wow”, I’m thinking. “I could sure paint that, but it would be a wierd, messy ‘wet-in-wet’ painting.”
As the wind increases, the life guard runs a pennant up the pole and sounds the warning. Everyone gathers their stuff and heads for the cars. The trees, sea oats, and grasses whip around. Leaves pull loose and blow across the sky. It’s exciting and scary at the same time. Instead of running, we stand and watch. It IS a storm “watch”, right? After all, we were just wet from swimming, so what’s a bit more water?!
Of course, I eventually catch a photo and we head to our car too. We wanted to stay and knew we should go. But we enjoyed that minute or two observing nature’s power.
The painting was done later on in the studio. It is a transparent watercolor on 15″ by 20″ Arches 140# cold pressed 100% cotton rag paper.
This watercolor has been in the home that I grew up in for a long time. I recall my Dad asking me what I thought about it when he completed it. I still love the ferns coming to life in the Spring and this artwork of his alway reminded me of the beginnings of Springtime. Here’s what my Dad Barry Sweeny, the artist of the piece, wrote about the artwork he created:
“Seven Cycles” is a transparent water color painted in 1986. It is intended to be very symbolic, representing in the images, seven different kinds of life cycles in nature. These images are all from my memory or photos and sketch books. The mountains are a version of the “Flat Irons” in the front range of the Rockies at Boulder Colorado. Some of the cycles are the plants at various stages in their lives. Others are more complex, like the water cycle.
I spent a LOT of time with friends and Blackwell Forest Preserve when I was younger. For me and my friends, it was a place to get away from it all and I am happy to see that my Dad recognized this too. Here is what he wrote about this piece.
I awoke one winter Saturday morning in 2005 to discover a think wet blanket of snow had fallen during the night. My wife and I grabbed breakfast and our cameras and went for a drive to capture the magic before it melted away. One stop was Blackwell Forest Preserve in Warrenville, Illinois, near where we live. At one point this scene “begged” us to stop . The light was somewhat diffused but the sun still cast shadows on the snow. This pine was on the crest of a hill overlooking a nearly frozen lake. Only the edges remained open water. On the island of ice in the lake, the area geese had settled down for a nap in the safety of their isolation and the warmth of the sun.
What especially grabbed my attention were the almost abstract patterns of snow clumps on the branches contrasted with the deep dark green areas hidden underneath. I also loved the softness of these snow clumps against the wonderful linear patterns of the dead branches around the base of the trunk. There we could see the shapes of the snow made by the driving wind. It struck me as a very peaceful and quiet, yet ephemeral moment. The work of the sun would transform this scene quickly by melting away the wonderful snow patterns. Then, almost missed, we spotted the owl, hidding deep within the darkness of the inner tree, watching us watching him. Magic!
The painting is done in transparent watercolors so the snow white areas are simply unpainted paper, as is traditional in watercolors. The paper is 15″ by 20″ Arches 140# cold pressed 100% cotton rag, the best available.
Here is another watercolor painting done from images I saw while walking along Oak Creek near Sedona Arizona. This particular scene greeted me late one afternoon as the light slanted deeply across the scene. I was near the famous Red Rock Crossing area west of Sedona. Fortunately, I had my camera and was able to freeze the wonderful moment.
Most of the red rocks in the area cliffs are sandstones, but the very top edge of the canyon is capped with black and sometimes gray hardened lava. That leads to some very odd arrangements down in the creek bottoms. The red sandstone erodes quickly to sand and silt, but the hard basalt weathers to amazing rounded, pitted boulders and cobbles. In this specific case, it looked to me as if the rocks were being ‘born’ from within the red mud. In fact, I am sure that the mud covered most of the rocks when wet, and that as the mud dried and contracted, the cracks formed and the mud shrank and settled around the rocks, creating the little “volcano” shapes around each rock.
Then, as nature always does, in the midst of the dried and lifeless scene, a tiny plant found just enough moisture to grow foliage and bloom.
The painting is done in transparent watercolors on 15″ by 20″ Arches 140# cold pressed rag paper.
This painting began as a demonstration for a watercolor course I taught in fall 2007. It was built from reference photos, almost like a photo collage, taken at the Churchill Forest Preserves near where I live. However, to enrich the image and composition, I added elements from Northside Park in Wheaton, and from my photo collection of flowers. The last mentioned was added last as I finally figured out the title for this painting.
The work is a very emotional reaction to the morning scene, soft light not yet too high in the sky, and the glory of God’s creation. It seemed to me that His whole creation was singing His praises. That’s when it finally came to me. “This is my Father’s world, the birds their carols raise, the morning bright, the lilies white, declare their Maker’s praise.” This painting is my, “Amen”.
Artistically, this was a very challenging painting.
• First, I wanted the intense but small color contrast of the red orange flower parts to vibrate against the overall green of the painting.
• Second, I wanted the solid hardness of the rocks to contrast the softer, textured areas of foliage.
• Third, I wanted a strong sense of balance and “rightness” in the design, but to avoid a “dead center” feeling, I shifted slightly those elements that made sense to change, to create a bit more dynamic placement for them. I wanted a still, quite, yet full of life image.
• Finally, while I wanted the strong warm and cool colors to work back into the distance and from the right to the left, I had to be sure to repeat these colors in many objects to ensure a feeling of unity and harmony in the painting. I am very pleased with the results!
The painting is 15″ X 30″ and is painted on Arches 300# cold pressed cotton rag paper.
“Fall Reflections” was done as a demonstration watercolor painting. What I especially like about it are the intense color contrast of the deep blue greens in the evergreens and the golden oranges in the deciduous trees. The shadows draw your eyes to the focus area, but you also wander around the corner, following the stream as it heads back behind that area. Where does it go?
It’s like many places I have been and wanted to stay indefinitely, absorbing all that’s there to see, so I can remember the place, the smells, the colors and my feelings.
I was always so jealous for my mom and dad’s ability to take these awesome vacations while in retirement, they deserved it and i was happy for them. Now that is over as my dad is gone. This artwork is from a beach vacation they took together in 2007.
In 2007, Barry, his wife and two of our friends went on a dream vacation to St. John’s Island in the US Virgin Islands. A major purpose for the trip was to see the incredible national park there which includes about 2/3rds of the island and bays surrounding it. We rented snorkle gear for the week and spent lots of time exploring the amazing crystal clear blue-green waters, coral, fish, octopus, rays, and other aquatic life. However, Barry doesn’t like to snorkle quite as much as his wife and friends.
When we went to explore Waterlemon Bay and it’s Cay (little island), Barry brought his portable watercolors and a pad of watercolor paper. This painting took about 2.5 hours on-site and another hour back where we stayed, for a total of about 3.5 hours to complete. Neighbors wanted to buy it, but we couldn’t agree on a price.
The painting is done in transparent watercolors on 140# Arches cold pressed paper which measures 14″ by 20″.